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Flora Krisiloff Runs on Her Record

Flora Gil Krisiloff walks up the sidewalk on 26th Street at San Vicente, a corner which has the lowest zoning of any commercial area in the city, thanks to her efforts.
Flora Gil Krisiloff walks up the sidewalk on 26th Street at San Vicente, a corner which has the lowest zoning of any commercial area in the city, thanks to her efforts.
Photo by Rich Schmitt, Staff Photographer

(Editor’s note: This is the second of three profiles on the candidates running for the City Council District 11 seat in the March 8 primary. Last week: Angela Reddock. Next week: Bill Rosendahl.) Flora Gil Krisiloff, co-founder of the Brentwood Community Council, a former West L. A. Area Planning Commissioner and a longtime community advocate, is basing her campaign for Council District 11 on her record within the district. Although a first-time campaigner for the open seat, she feels confident that her public service over the last 20 years makes a run for District 11 the logical next step in her career. Her opponents in the March 8 primary election, Bill Rosendahl and Angela Reddock, are also making their first bid for elected office. ‘I want to be elected with a mandate to continue what I have been doing,’ says Krisiloff, sitting outside her unofficial headquarters at the Brentwood Country Mart. That landmark red barn complex on the corner of San Vicente and 26th Street became the rallying point for Krisiloff’s first community involvement as she fought to downsize the zoning in that commercial area, so close to a residential neighborhood. ‘Councilman Marvin Braude told me that it couldn’t be done, that it would be impossible. But we persevered and got the zoning to match the two-story precedent across the street in Santa Monica.’ While she may be known more in the northern portion of this district that encompasses the coastal area between Pacific Palisades and LAX, Krisiloff argues that her work on the Area Planning Commission and the Los Angeles Health Facilities Authority Commission has familiarized her with the issues and problems in the entire district. ‘When I served on the Planning Commission, we covered the entire district and handled a number of Venice and Westchester cases,’ she says. ‘The issues are all very similar: residents don’t want overdevelopment, zero side-yard setbacks or oversized commercial development.’ Krisiloff, 53, eschews the notion that because she is a Brentwood resident and activist, she may not be sensitive to the overall needs and priorities of the city at large. To this she offers her history. She was born in Hong Kong to a Chinese mother and Costa Rican father and raised in Taiwan until age 11, when she came to the United States with her family. They settled in Santa Fe Springs, her parents beginning their new life with little money and no English, but a tradition of valuing education. Flora excelled in high school and attended UCLA on a full scholarship. She graduated with a degree in public health nursing and moved to southern Idaho as a Vista volunteer, working from a mobile clinic to provide health care to migrant workers in the labor camps along the Snake River. After returning to L. A., she worked as a nurse at a county clinic in Compton, and at health facilities in Watts. ‘I don’t forget my roots,’ she says, adding that she is fluent in Spanish and two Chinese dialects. Krisiloff, who has an M.B.A. from UCLA, thinks of L.A.’s distinct communities as the building blocks of the city. She is adamant about the primacy of safety in our neighborhoods and supports Police Chief William Bratton’s rationale for more police officers on the streets, but she also stresses the strength of neighbors being engaged with one another. ‘It’s important for neighbors to know one another and to look out for one another’these are bite-sized pieces that we can take to protect our communities.’ Krisiloff is a founding member of the Brentwood Community Council, and has served that body as chairwoman since 1999. She points to the council’s independence and her role in helping the 18-member body become an effective forum where community issues are discussed and problems mitigated. She characterizes herself as realistic and practical as she works to ‘bring people along, looking at all the options, then justifying my rationale.’ A case in point involved safety for grocery shoppers at the Ralphs Market on Bundy in Brentwood. ‘There were many parking lot robberies occurring at the market. So the Brentwood Community Council passed a motion suggesting that I contact the grocery store supervisor to talk about the problem. He agreed to increase the night lighting, assign box boys to walk the elderly to the parking lot and add a security patrol. There have been no robberies since.’ Perhaps the most dramatic example of Krisiloff’s self-described thoroughness is her role in defeating the federal government’s plan to sell off a large portion of the VA property for a mammoth Century City-type development. Krisiloff forged a coalition of West L. A. residents, veterans and government officials on the city, county, state and federal levels in opposition. ‘I really did the research, documented everything and built such a tight case that if they forced us into litigation, we were prepared.’ As a result of her efforts, the Federal Advisory Committee was formed, on which Krisiloff serves, and the federal government has been forced to use a true public/federal process to develop a master plan for the VA site. Krisiloff is proud of her four-page resume, which includes other time-intensive involvements such as her board position on the San Vicente Scenic Corridor Design Review Board, and service as chairwoman of The Mirman School Board of Trustees. She dismisses the notion that she is stretched too thin, suggesting that her strength is being very organized, working with people and building coalitions. ‘I’m really organized and I have always been a team player. I don’t need to take credit, even if I am a leader. I helped establish the first non-family board of directors at Mirman by developing a strategic plan and keeping peace during the transition.’ All three District 11 candidates share a progressive political agenda. They are uniformly critical of overdevelopment and place a high priority on protecting the environment. But Krisiloff prides herself on understanding land-use issues and valuing process. She helped develop the San Vicente Boulevard Specific Plan, which serves as a blueprint on how to keep that four-lane highway attractive, and served on the Brentwood Community Design Review Board, which represents community, business and residential interests. ‘I’m for appropriate, responsible development. Good development can make a difference,’ she says, citing a building on San Vicente that was redesigned according to the scenic corridor ordinance to become a mix-use project with residential space on top. ‘I believe in creating a vision ahead of time and having everybody involved,’ says Krisiloff, who is most proud of the Pioneer Woman Award she received from the City of Los Angeles in 2000. ‘This is the most meaningful to me because it recognizes my whole different approach of setting precedents for future planning and changing things.’ Krisiloff and her husband Milton, a prominent urologist with a practice in Santa Monica, have three boys: Kevin, who works at Paramount; Scott, a freshman at USC, and Matthew, a seventh grader at Harvard-Westlake. Two years ago, two friends came to Krisiloff with the idea of running for Councilwoman Cindy Miscikowdki’s seat. ‘They talked to me and basically encouraged me to look into it,’ she recalls. She pursued the idea first by enrolling in the National Women’s Political Caucus campaign workshop, then joining a weekend workshop offered by the Pew Memorial Trust at UC Berkeley. ‘The workshop was co-hosted by political strategists Dan Schnur (Republican) and Darry Sragow (Democrat), who coached the aspiring candidates on running a campaign. Each of us was assigned a phantom candidate. It was an intense two days, but I was encouraged when my candidate ‘won.” It also became clear to Krisiloff just how intense campaigning was going to be. ‘I had to ask myself, ‘Do I really want this?” She talked to her family, who were ‘unconditionally supportive. ‘So, I decided to make the run. When I make a commitment, I stick to it.’ Krisiloff is candid about the challenge of building a campaign team, noting that there are very few women campaign managers. While she notes the obvious, that ‘political consultants are a male-dominated game,’ she put together a team that includes veteran strategists Rick Taylor and Kerman Maddox (Dakota Communications), whose former clients include Miscikowski, Laura Chick and Alex Padilla, but also fundraiser Charley Dobbs and treasurer Mary Ellen Padilla. Krisiloff has been endorsed by the Los Angeles Times and by Miscikowski, whose nod wasn’t automatic. As Krisiloff points out: ‘I asked for her endorsement 11 months ago, but she said that she would have to think about it. Cindy is very thorough; she scrutinized all of us on integrity and our track record. I had to earn her endorsement.’

Post Contest Seeks Travel Story Entries

Monday, March 7, is the deadline for joining the Palisadian-Post’s annual travel writing contest, a chance for readers to have their travel stories published in the March 24 Travel Tales and Summer Camps supplement. Please write about a memorable trip or slice of your trip, in 800 words or less. Type it up (no handwritten submissions accepted) and e-mail it to newsdesk@palipost.com. Although e-mail is preferable, you may also mail or bring your entry to the Palisadian-Post office at 839 Via de la Paz. Entries must be from Palisades residents or those who work or attend school in the Palisades. Submit a short bio (about 25 words) and include how long you’ve lived (or worked/gone to school) in the Palisades, and a bit about your profession and family. Accompanying photographs of your trip are appreciated’please attach caption information. Last year’s winner was Janet Brodie, who wrote about a trip to Southeast Asia with her family. Her piece was favored by the editorial staff out of 29 entries. The winning entry this year will win an overnight stay at the Luxe Hotel Sunset Boulevard Bel-Air in Brentwood with breakfast at the Caf’ Bel-Air.

Potrero Committee Gets to Work

‘What you are charged with here is keeping the city moving forward on this project and the community informed,’ said Councilwoman Cindy Miscikowski in her opening remarks to the 16-member Potrero Canyon Citizens Advisory Committee. The group, headed by former Community Council chairman George Wolfberg, held its first meeting last Wednesday at the Palisades Recreation Center. About 20 residents, most of them having followed the Potrero saga for several years, showed up. Miscikowski explained how she sees the committee’s role in ‘what is now the longest-running project in the Palisades,’ a 20-year effort, so far, by both the community and the City of Los Angeles to ‘finally’ bring Potrero Canyon to completion. She explained that the major task facing the advisory committee, which was selected by Miscikowski and Community Council chairman Norm Kulla, is the completion of Potrero Park itself, a mile-long expanse which extends from the Rec Center down to PCH. Thus far, the city has spent $30 million on Potrero’$13 million to acquire 35 landslide-impaired lots on the rim, and another $17 million to buttress and fill the canyon, the councilwoman said. However, work was brought to a halt over two years ago ‘when the city lacked the $1.2 million needed to complete Phase II.’ In an effort to break the logjam, Miscikowski put forth a motion (which was approved by L.A. City Council in December) to sell two of the lots’both on Alma Real (at 615 and 623), both with houses that the city currently leases. These lots have now been declared surplus by the city, with 100 percent of the net proceeds to be deposited in a designated Potrero Canyon Trust Fund. The proceeds, expected to be as much as $4 million, ‘will be used exclusively for completion of Phases II and to begin Phase III,’ Miscikowski said. Current plans for Phase III call for a riparian habitat and a hiking trail with limited amenities (washrooms and a parking lot) to be built at the mouth of the canyon. This final part of the project is expected to cost from $7 million to $12 million. Miscikowski said that another challenge for the advisory committee will be how to handle the sale of the city-owned lots in Potrero. She noted that the city cannot offer the two lots, which will be sold at public auction, ‘without California Coastal Commission approval,’ which is not expected to come before June. When the Coastal Commission originally approved the Potrero project in 1986, it placed restrictions on the sale of the city-owned lots until all three phases of the project were complete and funding for inspections and maintenance had been identified. When it became clear last year that these conditions would be impossible to meet, Miscikowski began negotiations with Coastal Commission staff to clear the way for the immediate sale of the two Alma Real lots to finish Phase II, where work is 95 percent complete. Three landslides still need repairing and ‘there is final grading to be done,’ she said. The other 33 city-owned lots, which were condemned starting in 1964 when the canyon was first found to be too unstable because of landslides, are located on Earlham, De Pauw, and Friends. As soon as all the lots are deemed to be stable [a two-year process], they can be certified by the city and gradually sold off as funds are needed for Phase III. Miscikowski noted that there is now ‘ample opportunity to have significant input into the final design, especially the riparian habitat,’ which she suggested should be integrated into the existing natural environment ‘as much as possible.’ Miscikowski described the original proposal for the habitat, which had some artificial elements to it and has since been scrapped, as ‘a Disney waterworks.’ She said while she has applied for grants from the state to help fund Phase III, none are forthcoming at this time. And while she emphasized that the city would ‘not’ be putting any more money into Potrero, she acknowledged that funding would be needed to deal with any further landslides, which ‘are a real possibility.’ Following Miscikowski’s presentation, the committee asked her for two things: (1) a market evaluation of all the lots, and (2) a realistic assessment of what it will cost to finish Phase II. This second request came after member Rob Weber, an attorney who lives near the park, asked when the last construction estimate ($3.5 million, which includes the remaining landfill and $376,000 that is still owed the contractor for work done in 1997 and 1998) was done. He was told five years ago. ‘Five years ago!’ said Weber. He wasn’t the only one who was surprised. After the committee listened to several other presentations, which included a history of Potrero (by Randy Young); the status of the city’s motion that will go to the Coastal Commission (which Jane Adrian from the Bureau of Engineering said she is currently writing); and a description of the existing plans for the 7.4 acre riparian habitat (which was described in detail by Pam Emerson, the supervisor of regulation and planning for the Coastal Commission), it came up with an action list of its own. First will be a walking tour of Potrero set for this Sunday, February 27, ‘so that everyone can see what we are talking about,’ said Young, who will lead the tour beginning at 10 a.m. in the parking lot off Frontera by the tennis courts. The public is invited, and heavy footwear is recommended. The committee also requested aerial photos of the site from Adrian, and a copy of the approved plans for Phase III from Emerson. Committee member Ellen Travis, a Lombard resident who lives adjacent to the canyon, was more concerned about the proposed change to the Coastal Commission agreement’the sixth amendment to date’than the cost of the project. ‘Right now, the only protection residents have is the plan that exists,’ Travis said. ‘What’s going to happen if we keep changing it?’ The next meeting of the Potrero committee is scheduled for March 16.

Storm Watch: Tale of Two Slides

Since Saturday morning, 8.686 inches of rain has fallen on the Palisades, bringing the total seasonal rainfall to 35.590 inches’seven inches less than the all-time high rainfall that fell on the town in 1997-1998. The pounding rain took its toll on two local slides’one in the 1200 block of Bienveneda Ave., the other on the Via de las Olas bluffs. In both cases concerned residents contacted the city, which sent out inspectors. On Monday, city engineers Craig Kunesh and Patrick Schmidt assessed the continuing slippage in the 15000 block of Via de la Olas. Neighbors first noticed a new slump along the bluffs between Friends and Lombard streets in January when an approximately 50-ft.-long fissure forced the hillside to drop two feet. It has slipped an additional four to six more feet since then. While inspecting the slump, the engineers discovered two broken water pipes situated directly beneath the railroad ties which support the street in front of 15221 Via de las Olas The 2-ft.-wide corragated pipe that carries storm runoff was also found to be in need of repair. As a result of the two damaged pipes, water had pooled at the base of the concrete support pylons that support the railroad ties, located directly below the white fence, which serves as a barrier between the street and the canyon. Then on Tuesday, while city engineer Iraj Afzali was supervising the maintenance crew working on the broken pipes, he noticed a crack in the adjacent hillside and immediately ordered the area cordoned off. He affixed yellow caution tape to a 40-ft.-long section of the street, across from the residence at 15205, as a ‘precaution, so people won’t walk with their dogs here,’ he explained. By Wednesday, the oceanside of Via de las Olas had been partially closed off. On Saturday a small section of Ardie Tavangarian’s controversial 5-acre, hillside terrace slid into neighboring resident Jules Tragarz’s back yard. Tragarz, who lives at 1227 Bienveneda, said stakes, foliage, ‘even parts of the garden’s drip system twisted my fence and filled my yard with mud. I have been assured by Mr. Tavangarian that he will clean up the mess when the mud dries. I presume he will.’ On Tuesday, Targarz’s house was green tagged by the city, indicating that the house was inspected and found safe to occupy. As of Wednesday morning, total rainfall in the Palisades was 35.590 inches’seven inches less that the all-time rainfall that fell on the town in 1997-1998

Plan for the Palisades Volunteer Days May 7-15

Palisadians are encouraged to participate in Palisades Volunteer Days, a one-week period from May 7 to 15 in which there will be many opportunities for a variety of service hours. Participants and the nonprofit activities they participate in will be listed in the Palisadian-Post before the week of good works. Spearheaded by longtime Palisadian Marie Steckmest, Palisades Volunteer Days will give Palisadians an opportunity to join together to serve others in the Palisades and in the larger Los Angeles community. Participants will receive a T-shirt with logo designed by local artist John Robertson. Residents are encouraged to volunteer with friends, classmates, business colleagues, or fellow church or temple members. This event is nondenominational and not intended to cost anything but time, said Steckmest, who organized a Christmas donation drive for several social service organizations in the city. Volunteer activities include helping with the Special Olympics track and field/tennis/boca ball day at Brentwood School, a community-wide bake sale, a beach clean-up, a day of beauty for homeless women, knitting caps and blankets, and a tennis clinic in South Los Angeles. Palisadians are encouraged to offer their own expertise as well, such as cooking, baking, singing, gardening, hair-cutting, acting and playing sports. Nonprofit volunteer opportunities are in the planning stages. For those who wish to volunteer, or have a nonprofit volunteer opportunity, e-mail Marie Steckmest at PalisadesCares@aol.com.

‘The Night of the Black Cat’ Purrs, Growls and Stalks

With the rain beating fiercely against the tin roof of the Edgemar Arts Center Saturday night, we guests loved the wild, wild night inside the Le Chat Noir. Based on the original Le Chat Noir, which opened in the Montmartre district of Paris in 1881, Edgemar’s fun-filled musical ‘The Night of the Black Cat’ is similar in many ways, offering forbidden poetry, passionate dancing and sensual music. The cast members were given a character from the late1800s to research and then were asked to come up with their own story ideas that were presented to director Deborah La Vine. The frame story features Mademoiselle Germaine De Stael (Michelle Danner), one of France’s most distinct political and romantic voices and a huge benefactor of the arts, who now finds herself the nemesis of the city fathers, who condemn those who enjoy ‘pure hedonism, debauchery and social corruption.’ The performance space has been miraculously transformed into a cellar cafe, complete with intimate tables and chairs. On stage, piano player (Glenn Sidwell), trumpet player (Sebastian Leger), harmonica/accordion player (Smokey Miles) and violinst Joe Spangler enhance and enliven the singing, dancing and stage play. The entertainment moves from torch songs to can-cans to seductive tangos, all performed by an expert cast. While the program appears to flow loosely and spontaneously from act to act, this theatrical piece shows all the hallmarks of fine direction, clever set design, efficient choreography and traffic control. So many people come and go from the small performance space, it’s remarkable. Some highlights include the song dedicated to Picasso, ‘Picasso Blues,’ featuring ‘I got the blues, period,’ chorus and sung to a honky-tonk cadence with images of Picasso’s work projected on the scrim upstage. So many songs brought out the audience’s spontaneity, many clapped to the tunes, while others quietly mouthed the words to standards such as ‘Mack the Knife’ and ‘La Vie En Rose.’ The show continues February 25 and 26 (with special guest the father of funk George Clinton), and Friday and Saturday nights in March at 7:30 p.m. at the Edgemar Center for the Arts, 2437 Main St. For tickets ($22.50, $18.50) contact 392-7327.

Bringing Art History to the Classroom

While art-starved L.A. Unified School District classrooms are the recipient of various cultural enrichment programs, few if any focus entirely on art history. Change is under way, though, thanks to the grassroots efforts of two determined women. Two years ago, Laurie MacMurray, a docent at the L.A. County Museum of Art and a resident of Sunset Mesa, established ‘Arts Matter’ with Essie Horwitz, a fellow LACMA docent who lives in Rustic Canyon. They bring important credentials to the task of providing art history programs to elementary schools. MacMurray, who is also a docent at the Norton Simon Museum, worked in marketing and business for 20 years, while Horwitz has 18 years’ experience teaching for LAUSD. As longtime museum educators, both were frustrated by the ever-growing number of students they encountered on their museum tours who had absolutely no prior exposure to art. They knocked on the doors of elementary-school heads with their proposal and were greeted with open arms, first at Braddock Drive in Culver City and now at Westminster in Venice. The in-classroom program, geared to kids in third, fourth, and fifth grades, introduces artists from a variety of time periods and genres in a series of one-hour sessions taking place over six weeks. Armed with reproductions of art mounted on large poster board, the docents present fast-paced, interactive lessons that teach students how to identify the elements of art, provide facts about an artist’s life and a glossary. The students, most of whom speak English as their second language, also create a relevant art project. Arts Matter supplies all the materials, including a teacher packet with suggestions on how to connect the lesson with language arts and history. At Westminster School, a recent session MacMurray taught in a fifth grade classroom focused on Van Gogh. Others artists spotlighted are Brueghel, Vermeer, Matisse, Picasso, Rivera, and American artists Bingham and Remington. ‘The enthusiasm is huge,’ says teacher Tara Burgess. ‘I can hear the hum before Laurie arrives.’ The hum is followed by quiet, with kids attentively posed for MacMurray’s opening question: ‘Who knows Van Gogh?’ Hands shoot up, and one student eagerly shares a bit of the artist’s famous biography. ‘He cut part of his ear off.’ This leads into a discussion of emotions, and how Van Gogh expressed his with the use of color. ‘I’d use the blackest black I could find,’ says one student in response to the question of how he would express anger. MacMurray has the kids imagine what they would see while lying down outside at night and looking up at the sky. Then she holds up a big reproduction of ‘Starry Night’ to audible gasps of delight. Pieces of black construction paper and pastels are distributed for students to experiment with creating their own version of ‘Starry Night.’ The eventual goal is to establish a bus fund to allow students to visit a museum as the culmination of their in-class studies. Arts Matter, with nonprofit status as a 501(c)3, is making strides toward that, recently receiving a $15,000 grant from the Ahmanson Foundation. ‘Our vision is to have the program operating in every third, fourth and fifth grade classroom in these schools and expanding into other schools,’ says MacMurray, who is eager to begin recruiting new volunteers to fulfill this mission. Currently, the two founders work with only one other volunteer, Palisadian Sandra Alarcon, a fellow LACMA docent. The three will have taught more than 350 kids this year by the end of May. ‘We know arts education is linked to better cognitive skills,’ says MacMurray, who sees Arts Matter’s objective as fostering critical thinking and better language skills in addition to developing a basic understanding of art. ‘I feel sure we are having an impact.’ To learn more about Arts Matter, including how to become a volunteer, send an e-mail to MacMurray at laurie@artsmatter.org.

Photos, Words & Memories

Martinez holds regular scrapbooking workshops at her Palisades home, where she offers support and help to others as they sort and lay out their photos and decorate their albums.
Martinez holds regular scrapbooking workshops at her Palisades home, where she offers support and help to others as they sort and lay out their photos and decorate their albums.
Photo by Rich Schmitt, Staff Photographer

Palisadian Chris Martinez is a scrapbooking therapist, gently guiding people through the process of sorting and organizing their backlogged family photos. Martinez holds scrapbooking workshops in her home three times a month, where people can organize their photos, put them in albums, decorate the pages, and write journal entries about family trips, babies and kids’ school days, weddings and their family history. Through Creative Memories, a Minnesota-based company which sells scrapbooking supplies through a sales force of 90,000 consultants, Martinez sells all the items one needs to get started. But she does much more than that. She also provides a comfortable, nurturing setting where people can chat and form friendships while they tackle years of family snapshots, that have been saved in boxes and envelopes. In most cases, women are the family archivists. But some of the women who are determined to make albums for their own family say their mother never did anything with their own childhood photos. ‘My mom put everything in a box and never organized it. I had to go back and organize hers,’ said Martinez, who has made over 30 albums, including a heritage album where she pasted photos of older generations and wrote family stories she wanted her children to know. ‘I want my kids to have more than pictures, I want them to have histories,’ One common problem, she admits, is having trouble identifying some of the relatives in older pictures. Palisadian Corrine Bourdeau realized how important organizing her pictures was when her 7-year-old daughter Dominique needed to do a project about her ancestors at school, and it took months to get related photos. ‘Someday, her kids will just pull out an album,’ said Bourdeau, who spent a recent morning at a workshop in Martinez’s home, sorting through and editing photos of her two daughters. She filed the remaining photos in a photo-safe sorting box, already organized for a future scrapbook. ‘If you make an appointment to come here, you know you have the time set aside,’ said Jill Tabit, who was working on a scrapbook of a family vacation to Ireland. The social aspect of the workshop is also important. ‘I don’t do many creative things with other women, so I love this,’ said Bev Nuder, who was working on a book of her families’ many years of vacations in Sequoia National Park. ‘I feel very pampered.’ Martinez tries to create that environment for the people who attend her workshops. ‘I want them to bring their stuff and relax.’ She helps as needed and is well-stocked with items for sale, but the approach is low pressure. ‘When I first started doing this, I thought about what I would want done for me. I would want to really be taken care of.’ In fact, several of the attendees raved about Martinez’s homemade lunches, many of which are recipes from Cooking Light magazine, which are included in the price of a daytime workshop. An important element of scrapbooking products is that they are acid-free, so as best to preserve the pictures. Prices range from $36 for 12 x 12 albums, $19 for a photo trimmer, $10 for pens, and $1 for stickers on a variety of themes, such as holidays, babies, sports and travel. Lisa Scott, who has been scrapbooking since she was a teenager, was working on pages for her 2-year-old Savannah’s baby album. One feature of scrapbooks is they allow for papers and memorabilia as well as photos to be mounted within their pages. Savannah’s book began with a birth certificate and picture of a clock taken later to reflect the time of her birth. More recent pages included ‘Your first time at Disneyland’ written out with stick-on letters. Scott is an avid scrapbooker who recently went on a weekend trip to Big Bear to do scrapbooking, and who even has a portable luggage cart to tote her scrapbooking supplies. Recently, Martinez helped fellow Palisadian Virginia Mitchner organize some photos dating from 1980, not an easy task for a woman with a dozen grandchildren. ‘The different years were all mixed up. I felt overwhelmed, but Chris helped me get organized,’ said Mitchner, who finds scrapbooking relaxing. Martinez, one of several Creative Memories consultants in the Palisades, began scrapbooking when her 7-year-old daughter Annie was one. Five years ago, the consultant whom she had been buying materials from moved away and she decided to fill in the gap. Danny Gonzales, the manager at Village Photo & Digital Imaging, has noticed that in recent months, a number of local moms are coming in to scan photos and organize reprints. ‘It seems like moms were in charge of photography but once digital hit, dads would download the pictures into the computer,’ Gonzales observed. ‘The moms are coming in and saying, ‘I want my pictures back, they’re in the computer, nobody looks at them.’ They want to physically hold the photos.’ About half of her regular scrapbookers have moved into using digital cameras, said Martinez, who e-mails her digital photos to Village Photo to make prints. The steps that add up to a scrapbook start with sorting and editing photos; then cutting them to various sizes, if desired; laying them out; sticking them to the pages with double-sided tape or clear corners; decorating the page with stickers and paper; and writing captions and journaling. Pages can be simple or elaborate, and Martinez said a ‘plain and simple’ album can be done for $50. With its growing popularity, scrapbooking supplies can be found everywhere, from supermarkets and drug stores to specialty stores and stationery stores such as Black Ink on Swarthmore. ‘We can’t keep our 12 x 12 albums (which are covered in leather or fabric) in stock,’ said owner Patti Black. ‘People use them for celebrations, telling a little story for guestbooks. For people having a big party, they’ll send a scrapbook page to all the guests, who will each fill one out for the guest of honor.’ Despite assisting scrapbookers who come in to make prints on her digital machine, Cathy Martinez of Harrington’s Camera has not latched onto the scrapbook phenomenon herself. Cathy keeps up to date on her own photos by editing them heavily, throwing away what she doesn’t want and putting the rest in traditional photo albums. Chris Martinez has not only completed her own family albums, but has created scrapbooks for retiring clergy at her church, Corpus Christi. She is now going backwards: having recently completed the baby album for her 22-year-old son, she is completing the baby album for her 19-year-old daughter, and then will do a scrapbook for her own wedding (24 years ago) to her husband Albino, the owner of Albino Construction. Upcoming Creative Memories workshops/classes will take place on Thursday, March 10 and Wednesday, March 16 from 9 a.m. to 1 p.m. for $15 (including lunch) and a ‘late-night workshop’ Friday, March 18 from 9:30 to 11:30 p.m. for $10. Call 459-7705 for reservations.

Pali Soccer Wins

The Palisades High boys varsity soccer team had lost in the first round of the playoffs 11 times in 12 years, but Christian Sanchez made sure the trend would not continue when he scored off of a throw-in by Patrick McCormick in the 66th minute to lift the 18th-seeded Dolphins to a 1-0 victory at 15th-seeded Los Angeles. Palisades (6-2-2) traveled to second-seeded San Fernando for a quarterfinal game yesterday. If victorious, Pali would advance to tomorrow’s quarterfinals. Girls In a sloppy and slippery game at rain-drenched Stadium by the Sea, Alex Michael scored on a penalty kick in the 25th minute as the PaliHi women’s varsity team beat Cleveland in the opening round of the City playoffs and advanced to the championship bracket. ‘I said to myself I’m going to bury it and I basically just passed the ball it into the net,’ Michael said. ‘I love playing in the rain. We just ignored it and played our game. If anything, it cooled us down a bit.’ The 10th-seeded Dolphins (9-7-1) played Western League rival Fairfax on Tuesday and, if victorious, will either host 18th-seeded Kennedy or travel to second-seeded Narbonne today.

Nature Takes Its Course

What is it about rain at the Nissan Open? Three of the last four years have produced at least one rain delay and Monday’s cancellation of the third round produced the first PGA Tour event reduced to 36 holes since the 1996 Buick Challenge. However, tournament director and PGA Rules Official Mark Russell offered no indication that the date of the Nissan will be changed next year because it would mean having to alter the entire Tour schedule, saying: ‘I just don’t picture a scenario where that would happen.’ The bigger question is whether Russell decided to cancel the third round too soon. Minutes after Adam Scott and Chad Campbell had finished their anti-climactic playoff and Scott picked up his ‘unofficial’ victor, the clouds lifted and blue skies appeared over Riviera Country Club. As it turned out, the incoming storm that was supposed to arrive early that afternoon never came. Given the amount of water the course had absorbed, however, and the three to four hours that would have been needed to prepare it for play, it’s safe to say officials made the right call. No one could have imagined mother nature would play such a dirty trick. Bob Lowe, the calligrapher responsible for updating the master scoreboard in the press tent, tried to give disgruntled reporters and restless event staff bit of comic relief. When Jon Reigger quit the event after carding a first-round 75, Lowe wrote ‘withdrew… ‘aqua phobic’ after his name. Lowe cited ‘nonswimmer’ as the reason for Jonathan Kaye’s similar surrender. For the players who remained, the event became an exercise in futility. When it was determined that a playoff between the co-leaders would be played Monday to determine the winner, Riviera’s famous 18th hole was chosen not for it’s difficulty, but for a practical reason. ‘We didn’t necessarily have to choose the 18th hole for the playoff,’ said Dave Lancer, Director of Information for the PGA Tour. ‘We picked that hole because there were no bunkers in play for our guys and it’s the highest point of land on the property.’ To the grounds crew’s relief, the event did not extend to a second playoff hole, though Campbell wishes it would have. The difference between his runner-up check and the one Scott received was $350,000. That equates to $10,000 for every inch Scott’s winning putt traveled on its way to the cup. Campbell was almost apologetic afterwards, even thanking the media for staying to the end. It was he who summed up the tournament best: ‘We were at the mercy of the weather this week.’