Lucien Haas, Democratic speech writer and political advisor, whose passion fueled his love for the natural world and insistence on peace, died in his sleep on April 27. He was 86 years old. Throughout his long career as a writer and political aide, Haas served as spokesman for Sen. Alan Cranston (D-Calif.) for 13 years, associate press secretary to Gov. Pat Brown and a speech writer for his son, Gov. Jerry Brown. He was also an early advisor to then Los Angeles Councilman Tom Bradley, whom he helped in his campaign to defeat incumbent Mayor Sam Yorty in 1973. Haas was born in Buffalo, New York, on July 15, 1917, the son of German immigrants. He was drafted into the Army during World War II, serving in France in intelligence. After the war, he went to work for the Los Angeles Daily News as a copy boy. He became a reporter and worked on the rewrite desk, and was a leader in the Los Angeles Newspaper Guild, defending colleagues accused of disloyalty during the anti-communist McCarthy era. It was at the Daily News where he met his future wife, Jan, an artist at the paper. The couple married in 1955 and eventually had five children. When the paper ceased publication in 1954, Haas took a job in public relations for a beet sugar group in Denver before returning to California, where he began his association with Gov. Pat Brown. When Brown was defeated by Ronald Reagan in 1967, Haas became Cranston’s press secretary. In 1981, he joined Gov. Jerry Brown’s staff, and when Brown ran for the U.S. Senate a year later, Haas wrote most of his speeches calling for a bilateral nuclear arms freeze. Haas loved to entertain in the family home on Swarthmore, often inviting friends from Sacramento to enjoy homemade chili and participate in political skits. ‘Dad loved to dance,’ says his daughter Maxx, who recalls listening to the music and laughter emanating from downstairs when she was a little girl upstairs in her bedroom. ‘I thought, Wow, if this is what adults do, I can’t wait. He’d put on his Herb Alpert records and dance all night.’ After his retirement in 1984, Haas was active in many peace and environmental causes. His longtime friend and fellow Palisadian Harold Waterhouse was introduced to Lu while on a hike in Will Rogers State Park. ‘He and I were such good friends,’ Waterhouse told the Palisadian-Post. ‘We had two subjects that we liked to discuss: the elimination of nuclear weapons all over the world, and the need to improve the environment.’ Haas knew the local canyons intimately and often led nature walks. He understood the botany and made a pretty good guess on unknown plants, having conquered the general principles of shape, color and bloom. Haas was a familiar site around town with his riot of white hair, whiskers and eyebrows framing intense eyes and ruddy cheeks. He was also an unquenchable reader and loved to spend afternoons at the Palisades branch library. On an afternoon hike with Waterhouse a couple of years ago, the two stopped at a clearing under an oak tree. Lu pulled out a book from his backpack. ‘You’ll like this book,’ he said to Harold, ‘knowing that you like all things about life beyond.’ The book, which took up the science underlying ‘Jurassic Park,’ appealed to Lu, who was comfortable with the rational. In retirement, Lu did not draw the curtains and close the door. Instead, he embraced the community, contributed long hours toward maintaining the quality of life and shouted to newcomers about the eternal verities. In a series of letters, called ‘Dear Friends,’ that he wrote to his friends from 1995 to 1999 Haas was able to vent on issues. ‘He sent them to various people he knew and they were hysterical,’ said longtime friend Mimi Adams. ‘They would include his thoughts on nuclear weapons, politics, the world and even movie reviews. Some were full of hope, some pessimistic, but all reflected this man who was so well-read and brilliant.’ In addition to his wife, Haas is survived by daughter Maxx Haas of Santa Monica; sons Lu of Missoula, Montana; Dirk of Truckee; Vernon of Santa Monica and Jack of Malibu; and four grandchildren. Services are pending. Contributions may be made to any peace or environmental group. Haas belonged to Nuclear Age Peace Foundation, P. O. Box 121, 1187 Coast Village Rd, Suite 1, Santa Barbara, CA 93108-2794.
Palisades Beautiful Celebrates 30 Years and 1,500 Street Trees
Palisades Beautiful, the hearty little organization that was predicted to have a short life, celebrated 30 productive years of tree-planting in the Palisades at a champagne and cake party at the Palisades branch library Friday evening. Two of the original founders, Dorothy Bissell and Hilda Sauer, sat outside in the patio of the library and recalled their na’ve, yet tenacious plan to start the nonprofit organization. ‘In 1973, the Palisades was pretty bare,’ Bissell said. ‘Really, there were very few trees in the neighborhoods, and the air was so awful.’ Bissell had read an article extolling the virtues of trees, beyond their curb appeal. ‘I learned that trees are nature’s air conditioner, they give off oxygen and they absorb pollutants.’ Bissell contacted the supervisor of the city’s street tree division to enlist his help in planting trees. Well-intentioned, yet practical, the supervisor was skeptical. ‘Little groups of ladies like to start something and then two years down the line they decide they don’t want to do it,’ he told her. It was then that Bissell’s gentle persistence and determination took root. She asked the supervisor to help her and her cohorts’Sauer, Carole Kenney, and the late Betty Thrower and Carole Horn’decide what trees they should plant. ‘We drove around the streets and looked and decided on a few of this kind here and a few of that kind there.’ The group’s first street was Northfield, where they planted jacarandas, which over the years have been a consistent favorite choice for residents. The group started planting five-gallon trees until the city made them graduate to 15-gallon trees. ‘When we first began, if we had just a few requests and we didn’t want to hire anybody for that little bit of work, Betty and I would go down and plant them ourselves,’ Bissell recalled. Saurer remembered the time she and Dorothy went out in a rain storm to tie up the recently planted magnolias on Via de la Paz, mere saplings at the time. In the early days, it cost $35 to plant a tree. Today, it’s $200 per tree, money the group has received from individuals and local organizations, including the Junior Women’s Club and the Lions Club. Over 50 Palisadians came to celebrate the anniversary, including serious horticulturalists and respectful admirers alike. In bestowing a city commendation to Palisades Beautiful, Monique Ford, Cindy Miscikowksi’s field deputy, underscored the organization’s remarkable work and continued success on having planted 1,500 over the last 30 years. ‘This group has a unique blend of persistence and decorum,’ Ford said, directing her comments to Bissell. ‘She called me, and then called me again.’ Guest speaker Stephanie Landregan, chief landscape architect for the Mountains Recreation and Conservation Authority, capped the spirit of the evening with a salute to trees, and a story. ‘John ‘Appleseed’ Chapman planted apple trees 150 years ago around the United States, so when our ancestors came west, their otherwise boring, bland diet was made made more interesting by the addition of the apple. Chapman sold saplings for 6′ to homesteaders or traded a tree for clothing or feed. Some of those original apple trees are still around today,’ she said. ‘You are following his legacy. Trees feed us in a very different way. They’ll feed you today and tomorrow and they will be your legacy.’
Original Canyon Beachwear Suits Locals
Clear skies. Temps in the high 90s. A breeze along the coast. Bathing suit season is in the air. The question is: Are you ready to join the crowd of summer shoppers perusing racks of colorful nylon suits, searching for the perfect pattern, size and style? Not to mention trying on your suit of choice in front of life’s unforgiving critic, the dressing room mirror. Canyon Beachwear owner Kathleen Mudd says there is a lot more involved in running a swimwear business than stocking and selling suits. ‘We have to overcome all the psychological aspects of buying a bathing suit,’ says Mudd, who purchased the original Canyon Beachwear store on Entrada in 1988. ‘A well-trained staff is important’the customer should get something that looks good after trying on four to five suits.’ Mudd certainly knows the business. She started working at Canyon in 1979, when she was only 14, and worked there through high school on the weekends and during summers. Then a Brentwood resident, Mudd attended Marymount. She met her husband, William, at the University of San Diego, where she earned her bachelor’s degree in English (1987) and he earned a bachelor’s in business administration (1985). While in college, Mudd managed a San Diego swimwear store but continued to work at Canyon during the summers. The Mudds married in May 1988, and by October they had purchased the small, 400-sq.-ft. Canyon Beachwear space (across from Will Rogers State Beach) from Palisadian Susan Thomas and her daughter, Amy. In 16 years, the Mudds have opened 10 other Canyon swimsuit stores, the first one in 1989 in Pasadena because ‘we had a lot of customers who lived in that area,’ Mudd says. ‘Old Town grew up around us.’ Other Southern California locations include the Westside Pavilion, Studio City, and the Oaks Mall in Thousand Oaks. ‘We see generations of people who grew up in Palisades, moved away and have come back here [to buy suits],’ says Mudd, whose son, Liam, is 3. The Mudds live in Malibu and are expecting a second child in three months. While the popularity of Web-based discount retailers has made the swimwear market extremely competitive in recent years, Mudd says, ‘If somebody wants a designer swimsuit, is hard to fit or wants good customer service, they come to Canyon. We carry higher-end, more European-style suits and we have selection’you’re not going to see yourself walking up and down the beach.’ Refering to an analogy she heard, Mudd compares buying a swimsuit at Canyon to buying flowers at a florist, as opposed to a supermarket. ‘What we have is special, unique.’ The owners have also worked hard to maintain their business. ‘Everything we had we put back into the stores,’ says Mudd, who admits that one of their secrets is ‘working long hours together, being each other’s partner in marriage and business.’ While the Entrada store is the smallest, Mudd says, ‘there’s no room to expand, but the space is irrelevant because it’s a seasonal business and what’s important is customer service.’ The three buying seasons bring different collections, for the November/December cruise season, the February /March spring season and the June summer season. ‘Spring break is usually when business starts to pick up,’ says Mudd, who does the buying and merchandising while William handles the financial end of the business. Named the ‘Best Bikini Store in L.A.’ by Los Angeles magazine, Mudd says another reason they’ve remained successful is because ‘we’ve stayed focused on swimwear.’ Canyon carries 100 different brands with sizes ranging from 2 to 24 and a lot of separates, including D- and DD-size tops. However, Mudd does not see Canyon as ‘a ‘bikini’ store,’ because it caters to ‘the contemporary market instead of the junior market.’ The clientele is mainly women age 16 to 50, and suit prices range from $62 to $250, with an average price of $98 to $120. ‘Like all businesses, we were affected by the economy after September 11,’ says Mudd, who had to close one store in New York. ‘Even though Canyon is the more luxury end of the economy, people weren’t going on vacation as much. We also cut back store hours and we didn’t stay open seven days of the week.’ They currently have a store in Boston on Newbury St. and one on Third Avenue in New York City, in addition to three stores in northern California. Current swimwear trends include mix-matched polka dot- and stripe-patterned suits, often with floral designs. Reversible suits, halter tops and hipster bottoms are also in. Pink and orange are the hot colors this season. ‘There’s a lot of color out there,’ says Mudd, whose staff works with several celebrity stylists. They welcome private appointments if customers cannot come during store hours, and on occasion send suits to customers on vacation. Canyon also carries a limited selection of basic swim trunks for men, as well as sarongs, shirt throw-overs, sandals and straw bags. Located at 106 Entrada, between Marix Tex-Mex Restaurant and Patrick’s Roadhouse, Canyon Beachwear has the following store hours: Monday through Saturday, 10 a.m. to 7 p.m. and Sunday from 10 a.m. to 6 p.m. Parking is located behind the store. Contact: 459-5070.
Local Hero Buddy Is L.A. City’s Last Fire Station Dog
By HELEN HIGHBURGER Palisadian-Post Intern Fire Station 69’s beloved mascot, Buddy the Dalmatian, is the last surviving fire dog in the City of Los Angeles. He has lived at the station (Sunset at Carey) for nine years and when he passes away, the local firemen hope that a Buddy II can carry on the tradition. However, it’s possible the station will not be able to do so because of potential liability issues’dog-biting incidents, for example. So perhaps we have double the reason to treasure a dog who has become a great favorite with Palisadians of all ages, . Fire station dogs like Buddy have been a part of firefighting crews since the days of horse-drawn steam engines. Their original function was to guard the horses that pulled the huge engines firefighters used to get to fires. The fire dog would stay with the horses while the firefighters rushed into the burning building, keeping other dogs and people from spooking them. Since the advent of fire trucks, fire dogs have had less to do, but they still guard the truck while the firefighters are working. Fire Station 69 originally acquired Buddy as a puppy in 1995 from Sandra Jankowski of Brentwood, who breeds champion Dalmatians. ‘We’ve gone at least 10 years without a mascot, and kids have been asking about it all the time,’ said Capt. Ortiz at the time. ‘Now we have a real good one.’ The firemen held a contest to name the new mascot, inviting all kids 10-and-under to vote for either Sparky, Buddy, Smokey or Chief. A few years later they had a contest to count Buddy’s spots. He had exactly 278. Buddy has made news in other ways. In 1996, he not only was the star of a live Alpo commercial with Jay Leno on ‘The Tonight Show,’ he also appeared on the front page of the Palisadian-Post. The paper showed pictures of him getting rescued from the water after he slipped into the Los Angeles River during a routine river-rescue training exercise. A few years later the Post wrote about Buddy’s trip to the veterinarian to combat a brief bout with fleas, and later reported his emergency treatment for a dangerous urinary blockage. Buddy used to ride on the truck to fires, but today at the age of 9 he has arthritis, which has slowed him down somewhat. He can still go out to the fires if he wants to (wearing his own yellow brush jacket for protection), and he remains a great favorite at neighborhood birthday parties, the Fourth of July parade, riding with Santa at Holiday Ho! Ho! Ho! and fire station open houses. When Buddy gets up in the morning, he greets all the firefighters as they arrive and chases a ball while they exercise. Most of the day, he just hangs around the station, barking if people whom he doesn’t know arrive. A look into Buddy’s personal record book (just like the firefighters have!) shows that his top skill is ‘community relations,’ closely followed by ‘testing hydrant paint’ and ‘fetching a ball.’ According to one firefighter, Buddy’s ‘real job is PR, and he does it well.’ Buddy even has a girlfriend, a fellow Dalmatian named Desiree, who lives in the neighborhood. He keeps a photo of her pinned outside on his doghouse.
Saluting 2003 ‘Citizen’ Skinner
The spirit of dedicated volunteerism, a deep and vital force in Pacific Palisades since the town’s founding in 1922, was celebrated once again at the annual Citizen of the Year dinner last Thursday at the Riviera Country Club. The event was first held in 1947 and has been sponsored ever since by the Palisadian-Post. In recognition of his crucial leadership role in the $850,000 community-driven campaign to expand, renovate and vastly improve the four playing fields at the Palisades Recreation Center, longtime youth coach and businessman Mike Skinner received his Citizen of the Year award from Publisher Roberta Donohue. Also, Community Council chairman George Wolfberg presented his organization’s traditional Golden Sparkplug awards to Bob Jeffers and Roger Woods, both of whom ignited and completed important beautification projects along Sunset and at the Village Green. ‘Mike Skinner began pushing for the long needed overhaul of the antiquated and dangerous playing fields in 1999,’ Donohue said in her remarks. ‘When he realized that city funding for this project simply wasn’t going to happen, Mike came up with a plan to have the community raise the funds, hire a private contractor to rebuild the fields in accordance with city regulations, and then turn everything back over to the city.’ Once Skinner and the Palisades Pony Baseball Association (led by Bob Benton) received approval from the L.A. Department of Recreation and Parks last spring, they launched a fundraising campaign (under the leadership of Bob Levitt and John Bertram) and hired the company that built the famous ‘Field of Dreams’ baseball diamond in Iowa. ‘Miraculously,’ Donohue said, ‘the fields were ready for AYSO soccer games on November 8 and the bills were paid. The result of this enormous effort is a wonderful new park, with larger and safer playing fields that are available for the entire community to enjoy.’ Skinner’s committee has now raised just over $1,000,000, allowing for creation of a permanent maintenance fund. ‘This is a very humbling experience’doing something I love and having a lot of people help me do it,’ said Skinner when he received his award from Donohue. The 27-year resident thanked the ‘Field of Dreams heroes who stepped up to the plate,’ and noted that ‘it’s amazing how many good people are out there.’ He acknowledged the key people who participated in various aspects of the project, including L.A. Dodgers announcer and Palisades resident Vin Scully and his wife Sandra, whose major donation halfway through the campaign ‘gave us a shot in the arm.’ The father of three sons (Kevin, a fireman; Ryan, a senior at BYU; and Brendan, a volleyball player at Oaks Christian High School), Skinner also praised his wife Carey, a real estate executive with DBL Realtors, for her ‘patience and understanding through years of seemingly endless meetings and the turmoil that was going on at our house. Fortunately, she understood my priorities.’ Skinner received proclamations from U.S. Senator Barbara Boxer, Mayor James Hahn, Supervisor Zev Yaroslavsky and, in person, Assemblywoman Fran Pavley. ‘This is my fifth Citizen dinner and the only thing I’m sorry about is I don’t live here,’ Pavley said. ‘This is one of the few events in the District that my husband and I actually attend voluntarily. We feel we’re among friends.’ And in a tribute to Skinner, she said, ‘What impressed me is that his kids are older’he did it for the kids today and the kids of the future.’ When presenting her certificates to the two Sparkplug winners, Pavley emphasized the important role played by citizen volunteers in local beautification efforts. ‘In these tight budget times, we have to collectively take the initiative. The efforts by Bob Jeffers and Roger Woods help maintain the high quality of life that you treasure here.’ Councilwoman Cindy Miscikowski, who has been attending Citizen dinners since the early 1970’s, agreed with Pavley. ‘The Palisades never ceases to amaze me’the amazing talent, the amazing dedication by residents who say, ‘I have an idea, I have a dream, I can make it happen.’ This community never stops,’ she told the audience. Fourteen past Citizens enjoyed the festivities, including Phyllis Genovese (1952), Dr. Michael Martini (1967), Bob McMillin (1975), Gloria Stout Nedell (1978), Joan Graves (1987), Roger Diamond (1988), Kit Festa (1989), Bobbie Farberow (1995), Hal Maninger and Chuck McGlothlin (1996), Bill Grieb (1997), Kurt Toppel (1998), Carol Leacock (1999) and Mitzi Blahd (2001). The invocation was given by Mike Skinner’s friend, Bob Williams, and the master of ceremonies was Michael Dunn, a local actor who (along with Lulee Fisher) sang one of the lead roles in the evening’s musical roast. The skit was conceived and written by Barbara Dawson, produced by Joan Graves, and directed and choreographed by Babs Warden Lebowsky. The pianist was Dr. James E. Smith. When Wolfberg presented the Sparkplug awards, a Community Council tradition for more than 30 years, he recounted the many obstacles Bob Jeffers had to overcome while spending nearly two years raising funds and working to replace 600 feet of unsightly asphalt median strips along Sunset (near Chautauqua) with dwarf bougainvilleas, day lilies, red-hot pokers and gazanias. In accepting the award, PPBA coach Jeffers first thanked Skinner: ‘My two sons are enjoying the fields’fewer bad hops and fewer bruises.’ He then recalled how he continually complained about the weed-infested medians to his wife until she finally said, ‘Well, why don’t you do something about it?’ And he said, ‘Maybe I will.’ Jeffers attended a PRIDE meeting and soon found himself VP of the median project. Along the way, he recalled, ‘we found old Sunset Boulevard below the asphalt [which required an unanticipated major expense] but Councilwoman Miscikowski came to our rescue.’ Ultimately, PRIDE raised $70,000 in community donations, including important checks from the Lions Club, Junior Women’s Club and Sue Kohl/Prudential John Aaroe. ‘This project shows how much a man can accomplish when he’s trying to make a point to his wife,’ Jeffers said. Roger Woods had somewhat the same experience as Jeffers when it came to getting quickly involved in the Village Green Committee. About seven years ago, after he retired from his private neurology practice, Woods began taking a horticulture class at Santa Monica Emeritus College, where he met Margaret Jose, who was then president of the committee. ‘I wanted to give back to the community and I loved gardening,’ Woods said in his acceptance speech. ‘So I joined their monthly Saturday work parties, and pretty soon I realized nobody was looking after the roses. I decided to adopt the roses. But I didn’t realize I was a sitting duck,’ he said with a laugh. ‘Within a matter of months I was vice-president,’ eventually to become the current president when he couldn’t come up with an exit strategy. In addition to reviving the Green’s rose beds, Woods began renovating first the drinking water fountain and then the decorative dolphin fountain’the centerpiece of the Green. This meant revamping the plumbing system, digging a deep trench and laying new pipes and electric lines, as well as designing and constructing a wooden housing for the pump and a new cement foundation. The project was finally completed last December, ‘and the fountain still works’it hasn’t plugged up yet!’ Woods said, amazed that he had become an hydraulic engineer in his retirement. ‘I especially enjoy watching the kids look at the dolphin. They’re mesmerized by the water, and this makes it all worthwhile.’ He added, ‘I can’t pass up this opportunity to emphasize that volunteerism is infectious; it rubs off on you. I haven’t regretted a moment.’
Emily Kay and Michael Tillman to Exchange Vows in July
Emily Michelle Kay, daughter of Fay and Robert Kay of Pacific Palisades, and Michael Scott Tillman, son of Lynne Tillman of Long Beach and Jim Tillman of Brea, will be married on July 3 at Rancho Capistrano in San Juan Capistrano. Kay is the owner and director of Fancy Feet Dance Studio in the Palisades, where she has also been teaching for 12 years. She plans to continue teaching her students and running her studio, which is a home to over 350 Palisades children. She has invited all her students to participate in the wedding ceremony. The bridegroom is a graduate of UC Berkeley with a double major bachelor’s degree in history and rhetoric. At Cal, Tillman played on three N.C.A.A. Division One water polo championship teams. He is currently a professional cyclist. He was the first alternate on the 2000 U.S. Olympic Cycling Team and has won U.S. National Championship titles in that sport. The couple currently live in the Palisades, where they plan to continue living after the wedding.
Gregg Orenstein and Baoshi Liu Exchange Vows in China
Gregg Orenstein, son of Susan Orenstein and the late Dr. Martin Orenstein of Pacific Palisades, and Baoshi Liu, daughter of Shushan and Shuqin Liu of Harbin, China, exchanged vows in China on February 17. The couple met over a year ago on the Internet. Baoshi, an elementary school English teacher in Harbin, was looking for someone to help her with her English. Gregg, a kung fu enthusiast, was looking for someone to help him with his Chinese. After countless hours communicating over the Internet, and two trips to China for Gregg, the couple was married in Harbin in February. Gregg has returned to the U.S., and as soon as she obtains her visa, Baoshi will join him in the Palisades, where they plan to make their home.
Arbus’ Approach: Up Close and Personal
Diane Arbus famously wrote: ‘A photograph is a secret about a secret. The more it tells you the less you know.’ The same might be said about the current ‘Revelations’ exhibition at the Los Angeles County Museum of Art. The show gives rise to as many questions as answers regarding the short life (Arbus committed suicide in 1971 at age 48) of this groundbreaking artist who is best known for boldly documenting people on the fringes of society. ”Her equal opportunity lens focused on everything from debutantes to transvestites, side show performers to celebrities, with nudist camp enthusiasts and residents of homes for the mentally disabled also given major play in her work. Arbus’ pictures have the uncanny ability to make ‘normal’ people and scenes seem bizarre and to imbue the unusual with a sense of naturalness and beauty. ”Along with over 200 of her photographs, the diaries, notebooks, cameras and other personal effects of Diane Arbus also are on view in the exhibition. These three so-called libraries provide biographical depth beyond what’s ever been seen before, yet the artist’s presence is most deeply felt in her work, especially the compelling portraiture she created beginning in 1962. ”That was the year Arbus began working with a square format ( 2 1/4-inch twin-lens reflex) camera, leaving behind her 35 mm camera, the favored instrument of most documentary photographers of her era. The artist was seeking greater clarity in her images’she’d had a period of producing grainy ‘grab and shoot’ street photography’as well as fulfilling a desire to have a more direct relationship with the people she was photographing. ” The new camera, held at the waist, required Arbus to carefully frame her subject by looking down into the view finder. The method necessitated the cooperation of her subjects, many of whom became friends. Unlike rectangular images, which lend themselves to narrative interpretations, these new square portraits took on a formal, even classical quality. ”’They’re highly iconic and emblematic,’ says Robert Sobieszek, curator of photography at LACMA. ‘She photographed real people at a specific time and place, but made them into types. The guy in hair curlers becomes every cross dresser, the Jewish giant represents all giants.”’ ”These potent, unflinching portraits’particularly of ‘freaks’ and others outside society’s mainstream’are reflections, too, of Arbus’ own psychological frailty. ” ”’Diane Arbus Revelations’ continues at LACMA through May 31. Tickets are required. Contact: (323) 857-6000.
Editor’s Eye Makes ‘Queer Eye’ a Success
Last April, New York City television editor Brad Holmes took a job that was supposed to last four months while he waited to start the master’s program in environmental policy at Columbia’s School of International Public Affairs in the fall. He was thrilled about starting school and possibly making environmental documentaries. But the temporary job exploded into the national phenomenon ‘Queer Eye for the Straight Guy’ which premiered last July. When Holmes had to write a letter to Columbia asking for a deferment, he wondered how he would explain he was working on this show. The administrator for Columbia called and said, ‘Of course you can defer. I love the show.’ Holmes, a Palisades native, is now senior editor for the Bravo series, and still hasn’t decided whether he’ll enter Columbia in the fall. ‘I’m still enjoying working on the show,’ he says. The program features the Fab Five’gay experts in fashion, grooming, interior design, food and wine and culture’who help make over a straight guy who needs help in these areas. The combination of entertainment, humor and useful information has made the show more successful than anyone anticipated. ‘I saw the pilot and thought it was hilarious, but had no idea how successful it would be,’ Holmes said in an interview by phone from his editing studio in Soho. Each episode (airing Tuesdays 10 p.m. on Bravo) is built around the personality of the straight guy, and the gay experts incorporate his interests and personality into the makeover. The hour-long show culminates with an event’such as a party or romantic dinner’where the straight guy reveals his new look and tries to incorporate all the information he’s learned. Holmes begins with about 25 to 30 hours of multi-camera footage for each episode, which is cut down to an hour in length, a process that takes about five weeks. The five experts are not actors. ‘The idea is to keep the show as organic as possible,’ Holmes said. ‘The show feels relaxed, it doesn’t feel rehearsed. It’s a big whirlwind when the five superheroes descend on the straight guy. It’s amazing the response. He gets a lot out of it. A few tears have been known to happen.’ The show has no script, so Holmes’ role as film editor becomes very important. ‘You get to create [your own] beginning, middle and end.’ The process begins with casting the straight guy, who should be fun and outgoing and have a good story to tell. Holmes divides the show into five acts. In the first 10 minutes, the Fab Five burst into the straight guy’s apartment, tear it apart and deconstruct the guy and his lifestyle. In the show’s signature style, each expert is caught in a freeze frame, then reintroduced with a graphic stating his name and expertise. Finding the right moment to freeze each expert is a challenge, but it usually pays off with a punchline’humor is a big part of the Fab Five’s style. In the second act, the Fab Five take the guy shopping in the New York City area, where the show is filmed, and meanwhile redo his house or apartment. Although the actual filming takes place over four days, it’s made to look as if it all happens in one day. In the third act, the man sees his new house and gets lessons. Chef Ted explains how to cook a simple dish, with the idea that viewers at home can learn from it, too. ‘You can watch it once, go into the kitchen and make it,’ Holmes said. Fashion expert Carson has the man model his new outfits and explains why they fit him well and were chosen. Grooming expert Kyan shows him how to use a new skin or hair product. ‘By this point, the straight guy is bombarded with information and completely overwhelmed,’ says Holmes, 31, who admits he has learned quite a bit about style, interior design and food from watching all the footage. The Fab Five then leave, and the man is ‘left on his own to fend for himself.’ In the fourth act, the man cooks, gets dressed and prepares for the evening’s event. Meanwhile the Fab Five watch along on video and comment on the inevitable mistakes and mishaps. In the final act, the big event happens. ‘It’s very hands off; what’s going to happen, happens,’ Holmes says. Some men are able to apply all the information better than others. In one of Holmes’s favorite episodes, Alan Cory was introducing his girlfriend’s parents to his parents. ‘He poured the drinks way too strong, and he used a sweaty rag to clean a plate. It was hilarious, very organic mishaps that were really fun.’ Casting was difficult in the first season, Holmes recalls. ‘There was a lot of hesitation for straight guys. Once the show took off, it wasn’t hard.’ Holmes calls the success of the show a ‘surreal experience. The timing of the show and the popularity of the show really coincide with gay issues in the country. Gay marriage and gay rights are becoming more mainstream. I’ve had grandmothers stop me and tell me they love the show.’ Holmes attended St. Matthew’s and Loyola High School before getting his college degree from the University of Colorado at Boulder. After college, he moved back to L.A. and started as a low-level runner for a movie trailer house. He stayed after work and taught himself how to use the editing machines, which led to his next job as assistant editor at a documentary company. He later became an editor working on hour-long shows for the History Channel, Discovery and A&E. He moved to New York’s West Village in 2000 and began working on MTV and VH1 music videos, programming and ‘Real World’ specials. ‘I learned how to do unscripted shows, which is a very different kind of editing.’ Currently, his editing job requires 12- to 13-hour days working along with three other editors. As for the stars of the show, he says ‘they’re all genuine, caring people and funny. That’s really who they are. There’s just a presence about the five of them that’s addictive.’ Holmes has even got his older brother Kevin, a composer, involved in the show, creating music for many of the episodes. Kevin, who lives in Silver Lake, talks to Brad on the phone and the two will discuss the particular episode and Kevin will come up with music themes to fit. ‘We get a dossier for each straight guy’his interests, his house, what his issues are, so to speak. We look at what his tastes are, try to figure out what the vibe of the show would be and make tracks for each guy,’ says Kevin, 38. As for Brad, he says ‘I’m drawn towards the reality format, non-fiction, but I am also very curious about doing features and scripted dramas.’ He’s also interested in moving into directing and has already completed an hour-long documentary on past-life therapy. Next month he will be directing an episode of ‘Queer Eye,’ which he will also be editing, with the goal of eventually move into directing permanently. No matter what he decides to do about studying environmental policy in graduate school, Holmes would like to someday find a way to combine his interests in the environment and filmmaking.
Fisher Takes Comedic Turn in ‘Laws’
As a child, Frances Fisher didn’t have the acting bug. Not until after high school, when she was working as a secretary at Firestone Synthetic Rubber and Latex Company in Orange, Texas, and played the ingenue Nellie in a community theater production of Tenessee Williams’ ‘Summer and Smoke,’ did the bug bite her. ”’I found it was much more fun to go work in the theater every evening than typing and filing and trying to pretend I knew how to take shorthand,’ Fisher says. ”She was inspired to become a theater professional by John Holland, a New York actor who had retired to Texas and who encouraged her. ‘If it hadn’t been for him, God knows where I’d be, but I don’t know if I would have become an actress. I realize how important the things adults say to children or young people and how it can change the course of their lives,’ says Fisher, a Palisades resident whose latest movie is New Line’s ‘Laws of Attraction’ with Julianne Moore and Pierce Brosnan. The movie, directed by Peter Howitt, opens Friday nationwide. ”In the film, Fisher plays the comedic role of Sara Miller, the mother of Ashley, the uptight lawyer played by Julianne Moore. Sara is a youthful, fun woman who looks like a contemporary of her daughter and is much more adventurous and free-spirited. ‘I love her spirit and her optimism,’ says Fisher. ‘She’s lived, she’s made mistakes, she’s moving forward, she’s not done in her 50s.’ ”In terms of casting, Fisher says she and Moore didn’t have any qualms about the fact that biologically Fisher’s not old enough to be Moore’s mother. In fact, Sara has Botox and plastic surgery to look as young as her daughter, which led to one of Fisher’s favorite lines in the film: when Brosnan’s character, lawyer Daniel Rafferty, asks Sara, ‘Are you really 56?’ she replies, ‘Parts of me are.’ ”In real life, Fisher, 51, lives in the Huntington Palisades with her 10-year-old daughter Franny. Franny’s father is Clint Eastwood, whom she sees often; she and her mother recently spent the Easter holidays with him. ‘We’re doing the modern nuclear family kind of life,’ Fisher says. ”Fisher, who is well known for her dramatic roles in films such as ‘Titanic,’ where she played the mother of Rose (Kate Winslet), ‘True Crime’ and ‘Unforgiven,’ says of ‘Laws of Attraction’: ‘I’m hoping it’s a movie that sticks around for a while so people can see I am funny.’ Other recent credits include ‘The House of Sand and Fog,’ ‘Blue Car’ and ‘The Lyon’s Den’ TV series. ”After leaving Texas at the age of 20, Fisher worked as an apprentice at the Barter Theatre in Abingdon, Virginia, which involved building and painting sets, sewing costumes, running props and lights and helping the director. ”One of the actresses she was cueing had a 3-year-old daughter and invited Fisher to come to New York City to study acting. ‘I found myself living in the maid’s room on Park Avenue, taking care of a little girl and taking classes during my down time.’ After that job ended, Fisher continued taking classes and acting in off-off-Broadway productions while tending bar to support herself. She broke into television doing commercials, then was able to quit her bartending job when she auditioned for her first soap opera and got the part of Deborah Saxon on ‘The Edge of Night.’ ”After the bohemian artist in her felt like she was getting ‘too settled,’ she quit the soap after four seasons and immersed herself in theater, studying with Stella Adler, and with Lee Strasberg at the Actors Studio. ”’I think being trained in the theater was really the right path for me. I had some great teachers who just drilled into us: You have to really be there to represent the playwright’s thoughts and ideas; it’s not about showing off or being an exhibitionist for your own purposes.’ ”Fisher entered the film world through director Henry Jaglom, working as a production manager one of his movies. He later cast her in some of his improvisational films, including ‘Babyfever’ and ‘Can She Bake a Cherry Pie?’ Her first big-paying job in film came when Norman Mailer cast her as a former porn star who went into real estate in Santa Barbara for his film ‘Tough Guys Don’t Dance.’ ”’I made more money in six weeks doing that movie than I had earned in a year doing theater. I thought maybe I should focus on film, so I could continue supporting my theater habit,’ Fisher says. ”’At 36, I came out to Los Angeles because I wanted to get myself into the film business, not realizing that 36 is a very ripe age in the eyes of people in the industry. But my mind didn’t work that way; it still doesn’t because I’m theater-trained, and I just see that I’m going to work forever.’ ”Fisher moved to the Palisades in 1996, looking for a place with a good school system to raise her daughter. ‘I looked everywhere from Malibu to Beverly Hills, then I discovered the Huntington. I kept focusing on one house and ‘I thought, man if I could have a house like that it would be perfect.’ It turned out that the house was for sale but had no for-sale sign. A realtor told her about it after she had looked at 40 houses. ‘It was so meant to be.’ ”She was also attracted to the community after coming to visit a friend for the Fourth of July parade. ‘The Fourth of July sold me. I felt as if I had gone back in time. I also love the Sunday farmers’ market. I think it’s a wonderful way not only to get fresh produce but to socialize and see each other,’ says Fisher, who also wouldn’t mind seeing a first-run movie theater in town. ”Fisher has been a judge at the town’s annual Youth Pageant the last two years. ‘I love being part of the pageant every year. It gives me hope for the future of young people.’ ”When asked about her advice for young people interested in acting, Fisher responds: ‘The advice I always give is that if you could think of anything else you might be interested in, pursue that also, because it takes so much willpower, dedication and perseverance to continue in this business. There are a few people who get lucky early, but to stay in the game takes a lot. ”’If you have a proclivity for loving acting, being creative and enjoying the process, you’re a good candidate for being in this business. If you’re there to become famous’get realistic, do something that feeds your soul, not your ego.’ ”Fisher has been showing her daughter old movies to give her a sense of show business history. ‘We’re on a Marilyn Monroe kick; she was a wonderful comedic actress.’ Franny attends public school here and has acted in local Theatre Palisades Kids productions as well as professionally. ”In addition to her work on television and in big-budget movies, Fisher continues to work in theater and on independent films. ‘It’s frustrating when you put your time and energy into something and nobody sees it,’ she says of her work on the 2002 feature ‘The Rising Place.’ ‘It fell through the cracks; it wasn’t edgy enough for film festivals, people didn’t want to see things with serious themes [treated] in a soft, gentle way.’ ”Fisher just wrapped the film ‘Mrs. Harris,’ which deals with the true-life story of Jean Harris (Annette Bening), who killed her former lover Dr. Herman Tarnower (Sir Ben Kingsley), the Scarsdale Diet author, in the 1980s. It was written and directed by Phyllis Nagy. ‘It was wonderful being on set with her,’ Fisher says. As a theater director, Nagy rehearsed the cast extensively. ‘We’d do things in two different takes and move on.’ This past week, Fisher and Franny traveled to Washington, D.C., to take part in the women’s march on Washington for reproductive rights. She is also a board member for the Screen Actors Guild, the Environmental Media Association, the Sherman Oaks Hospital Foundation, and she is a member of The Mother’s Council, whose goal is to create and sustain a culture in which all children flourish.