In 1989, after the phenomenal box office success of ‘Three Men and a Baby,’ actor Steve Guttenberg was in the market for a new home. While he didn’t have a clear idea of what wanted, he knew that he did not want ‘a modern house’ or ‘a house that the Beach Boys had lived in, which is not my style.’ For weeks his real estate agent had him looking all over L.A., ‘mostly at houses I knew I couldn’t afford, like the Houdini mansion in the Hollywood Hills.’ Then one day his agent said he had just the right house for him in the Pacific Palisades, a place Guttenberg had visited a couple of times but ‘didn’t really know anything about, other than it had this great Mediterranean climate.’ Then, as he and the agent made their way up Palisades Drive to the Highlands, Guttenberg remembers he suddenly felt enveloped by the mountains, ‘like we were being transported into another world. I loved the winding road and, coming from New York, the natural light and ocean air. And that was even before we got to the house. Then, as we were driving up the street I noticed that everyone’s garden was so beautiful and I thought, ‘There’s no way I can afford this! What’s my agent thinking?” By the time the two men got out of the car in front of a two-story, Mediterranean-style house, which ‘had great curb appeal,’ Guttenberg says, ‘I was already sold. And then when I walked through the front door and saw this explosion of green [the house being completely open to the back garden], I instantly knew this is where I wanted to live. The pool was full of happy kids, the garden butted up against Topanga State Park, and a circular staircase in the foyer looked like it came right out of ‘Dynasty.’ When I saw that, I was SURE I could not afford the house.’ As they walked back to the car, Guttenberg asked the agent ‘How much?’and was surprised when it turned out to be exactly the amount he knew he could afford. He immediately bought the house and has since become not only the town’s honorary mayor (since 2002) but also one of its most responsible citizens. Currently he is spearheading an effort to slow down speeders on Palisades Drive, which he says some residents have taken to ‘using as a raceway. They think they’re at the Grand Prix, or something.’ As for living in the Palisades, and his home in the Highlands, Guttenberg says: ‘It has brought me such pleasure that I think it has added years to my life. I like it so much that sometimes I don’t leave for days, unless I have to go to New York. I love the Palisades. It’s a real resort town, very different from where I come from.’ Guttenberg, who commutes regularly between New York and L.A., grew up in the working- class neighborhood of Massapequa, on the south shore of Long Island, where his parents and one of his sisters still live (the other sister lives in New Jersey). Other actors from Massapequa include Alex and Billy Baldwin and Jerry Seinfeld. ‘Jerry’s father Cal was a signmaker,’ Guttenberg recalls. ‘I used to deliver signs for him when I was a teen.’ As a teenager, Guttenberg got interested in acting after working one summer with a local children’s theater group. That fall he started taking acting classes in New York and after graduating from high school he came out to California, where within weeks he landed a Kentucky Fried Chicken commercial, and a low-budget teen flick called ‘The Chicken Chronicles.’ Within a decade he had roles in several film hits, including ‘Diner,’ ‘Cocoon,’ ‘Short Circuit,’ and ‘Police Academy.’ His latest film, ‘P.S. Your Cat Is Dead,’ which he produced, directed and co-wrote, was adapted from the Broadway hit by the late James Kirkwood, co-author of ‘A Chorus Line.’ The black comedy, with its frank exploration of sexual role playing, opened to mixed reviews. ‘The film is more deeply felt than fully realized,’ said the L.A. Times. ‘Despite strong portrayals by Guttenberg, it doesn’t come alive until it’s drawing to a close that’s unexpectedly touching.’ Guttenberg still loves the stage, where he starred in ‘The Boys Next Door’ in London’s West End, and the Tony-award winning ‘Prelude to a Kiss.’ When in New York, he takes acting, dancing and singing lessons, making the 45-minute commute back and forth to Massapequa, where he stays with his close-knit family. Asked about being bicoastal, Guttenberg says he basically has no choice. ‘Obviously I like the weather better here but my family is there, which is why I spend about half of my time in New York. But people don’t do lunch there,’ he jests. ‘There’s no Cafe Vida, which is why I have to come back to the Palisades.’ When home in the Highlands, Guttenberg, who lives alone with his 9-year-old Lab Bucky, enjoys his pool, his home gymnasium and hitting golf balls that sometimes land in the state park. He also enjoys the quiet and the privacy of his garden. ‘In fact, it’s so private I could go naked out there but I don’t, you know, being the honorary mayor and all.’ These days the actor is in rehearsals with Angelica Huston and Ben Kingsley, preparing for this Sunday’s reading of ‘Sunset Boulevard’ at the Pantages Theater to benefit the Actor’s Fund. This weekend Guttenberg also plans to do some entertaining. He’s not sure if he will cater (usually from Mort’s or the nearby Hidden Cafe), or if he’ll cook. ‘Lately, it’s been with my new wok. I might do pad thai noodles, or kung pao chicken, or sizzling vegetables. Or maybe I will grill some Chilean sea bass or wild king salmon. And I like to keep things really informal. Whether I’m entertaining a CEO or the guy who delivers my groceries, I want everyone to feel comfortable in my home.’ Guttenberg had the same attitude with GuttenHouse, a halfway house he bought and renovated for young women who have grown up in foster care and are ready to make the transition into the real world. The two-story duplex in Culver City features marble-tiled bathrooms and hardwood floors. ‘I wanted it to be a beautiful place, with positive energy,’ Guttenberg explains. In the almost three years GuttenHouse has been in operation ‘we have helped about a dozen of the girls get jobs, and get ready to go to college,’ says Guttenberg, who regards the project ‘as one of my best investments’investing in the futures of these young women. But I want to say I did not do it alone. I had a lot of people help me make it happen.’ Another investment Guttenberg would like to make, with the help of other Palisadians, is in the village, specifically on the corner of Swarthmore and Sunset. ‘Imagine if we had a multiplex movie theater where the Mobil station is now? We’d also build a donut shop, a record store and have lots of parking. It would be a place that everyone could enjoy. You know, there’s a reason I was drawn to the Palisades. There’s a real energy here. You can feel it everywhere you go. That’s why I’m proud to be the honorary mayor of this town.’ Asked how he happened to acquire this prestigious position without having to spend one dollar on campaigning, Guttenberg explains that ‘it all started with a pastrami sandwich at Mort’s!’ He later accepted the offer extended by the Chamber of Commerce.
Miscikowski Tells Palisades Council Her Hopes for More Police Officers
If citizens want significantly more police officers on city streets, they should root for a proposed initiative to raise the L.A. County sales tax by half a percent, City Councilwoman Cindy Miscikowski told the Community Council last Thursday. The initiative, supported and promoted by Sheriff Lee Baca and LAPD Chief William Bratton, will go on the November ballot if enough signatures are gathered by June, said Miscikowski, and it would raise ‘a significant amount of revenue.’ One-third would go to the Baca’s office, one-third to the LAPD and one-third to the remaining cities in the county. ‘Bratton has vowed, over time, to build up an additional 2,000 officers on top of his current 9,100 officers,’ said Miscikowski, who chairs the City Council’s public safety committee. She argued that a sales tax increase is the ‘best way’ to reach this goal, given the city’s bleak financial condition. The City Council hasn’t yet endorsed Baca’s initiative, Miscikowski said, pending a review by the city’s financial analyst, and she warned that because the measure would require a two-thirds vote, ‘there will have to be a significant effort by community support groups.’ Community Council member Larry Jacobs wanted to know, ‘How do you ensure that this becomes a net increase for the police and doesn’t end up in the general fund?’ Miscikowski replied, ‘There obviously has to be a guarantee of ‘new money’ for the police department. We also want to know who will be on the oversight committee for the distribution of funds.’ In the meantime, Miscikowski said, Mayor Hahn will present his budget in April, and ‘will make public safety his number one priority’no matter how dire the [fiscal] situation.’ Council member Arthur Mortell asked Miscikowski if the city is being reimbursed by the federal government for anti-terrorism efforts that drain LAPD resources. ‘Some,’ she said. ‘The stations where traffic is stopped before entering LAX are manned by LAPD officers on overtime; the city is reimbursed by the airport and they are reimbursed by the Department of Homeland Security. But by no means are we getting reimbursed for everything. We now have a whole Home Security Bureau [with about 200 employees] that never existed before, and there are security costs at the ports and elsewhere. We have to absorb these costs.’ Miscikowski reiterated that Captain Vance Proctor, the LAPD’s new West L.A. commander, has committed to maintaining a second patrol car in Pacific Palisades (2 p.m. to 2 a.m.), a move instituted early this year in response to complaints about increasingly scarce police coverage in the community. She also reminded the audience that she and fellow councilman Jack Weiss are sponsoring a motion to ban smoking at public beaches in Los Angeles, similar to the ban passed recently by the City of Santa Monica. ‘Are there resources to patrol the beaches?’ Community Council member Marguerite Perkins Mautner wondered. ‘When we passed the no-smoking ban in restaurants and bars,’ Miscikowski said, ‘we heard the same kind of question. But we’re largely a law-abiding society’as we’ve seen with public acceptance of seat-belt laws’and the smoking ban at beaches should not require a significant police patrol to enforce. Ultimately, it’s a matter of changing the culture over time.’
Republican Bill Simon Announces Campaign for State Treasurer in 2006
It’s official: Palisadian Bill Simon is running for California state treasurer. Although the election is not until November 2006, Simon is already campaigning. Last Saturday evening he spoke to the California Republican Assembly in Sacramento, and he plans to continue his weekly radio commentary, which is syndicated through Radio America to approximately 400 stations in the U.S. (including KRLA 870). He will also make his views known on talk radio, a forum he used extensively during the gubernatorial race. ‘I wanted to declare my intention to run early,’ Simon told the Palisadian-Post. He is, of course, expecting competitors but hopes to get the support of key Republicans, including Governor Arnold Schwarzenegger, whom Simon presumes will run for reelection. It was just two years ago in March that Simon, a newcomer to politics, shocked both himself and the Republican party when he overcame a 40-point deficit in just eight weeks to win the nomination for governor in a landslide. ‘Simon Trounces Riordan, Storms to GOP Nomination,’ read the headline in the L.A. Times. Simon spent the next eight months campaigning against incumbent Gray Davis. Happily traveling the state, his down-home ‘meet ‘n’ greet’ style was often compared to that of former president Ronald Reagan, whom Simon greatly admires. Even after losing the governor’s race last fall by a surprisingly close margin, Simon continued to travel the state, speaking ‘two to three times a week’ as head of his own political action group called the California Grassroots Leadership Committee. Then came the California recall election. ‘My wife Cindy and I have been saying for two years that we need to recall Gray Davis,’ Simon said at a Palisades Republican Club fundraiser at his home in the Huntington last June. ‘It makes me feel as if we were right all along!’ Simon decided to run, but three weeks later he quit, saying there were ‘too many Republicans’ in the race. Whether an L.A. Times poll at the time showing Schwarzenegger in the lead influenced Simon’s decision, he won’t say. But he does say he is supportive of the new governor, whom he considers a friend. Both are parishioners at St. Monica’s Catholic Church and both have vacation homes in Sun Valley. ‘I think Arnold is doing a good job,’ Simon said, ‘and should be given a chance to work through his financial recovery plan. I voted in favor of both Proposition 57 and 58 [the government’s $15-billion bailout bond to deal with the state deficit] because I didn’t see that there were many alternatives.’ Simon also said that if he had been elected he ‘probably’ would have proposed the same solution. ‘While what I would like to see the governor do, ultimately, is to cut government and government spending, we all know something needed to be done in the short term.’ Simon, 52, who is back managing his family investment firm, William E. Simon & Sons, when not campaigning said he sees job creation as key to California’s economic recovery. Asked why he is now running for state treasurer, after investing some $9 million of his own funds on the governor’s race, Simon said he feels he has the ‘skills to handle the job.’ While Simon’s experience as a litigator is well known (after graduating from Boston College Law School in 1982, he served as assistant U.S. attorney for the Southern District of New York under then-U.S. Attorney Rudy Giuliani), his experience on Wall Street, which is ideally suited to being state treasurer, is not. From 1973-1978 he worked as a foreign exchange trader and manager in the municipal bond department of Morgan Guaranty Trust, now known as J.P. Morgan Chase. During that same period his father, Bill Sr., served as both Secretary of the Treasury under President Nixon, and U.S. energy czar, giving Bill Jr. access to the likes of George Schultz, Henry Kissinger and Alan Greenspan, who at the time was an economic advisor to the government and is now Chairman of the Federal Reserve. Those years, and the family’s escapades (including a visit to the Middle East, where Bill Jr. was gifted with a camel) are detailed in Bill Sr.’s autobiography, ‘A Time For Reflection,’ which was released in February, almost three years after his death at the age of 72 from heart disease. Was Bill Jr. greatly influenced by his father? ‘Yes, I was. He was a remarkable man. That’s why both my brother [Pete] and I wanted to go into business with him.’ Asked how he is like his dad, who has been credited with bringing an end to the energy crisis in 1974, Simon said: ‘We are both very results oriented. We don’t suffer from ‘analysis paralysis,’ which can often bog down the decision-making process.’ Asked why he wants to get back into the political fray after two disappointing tries, Simon said: ‘Cindy calls it getting out of our ‘comfort box.’ I think it’s a good thing to do, to serve your community, if you can. I applaud Jerry Brown as an example of a humble public servant. He was California governor [1975-83], now he’s mayor of Oakland, and I hear he’s going to run for attorney general.’ Asked who will tend the business (which he manages with Pete) while he’s off campaigning, Simon said: ‘One thing the gubernatorial campaign proved is that I am not necessary to this company for it to survive and continue to do well.’ His business advice to clients these days? ‘To be cautious. And focus on the cash flow.’
Bill Abbott, 64; Regal Cleaners Manager
Bill Abbott, the longtime general manager of Regal Cleaners on Via de la Paz and a Pacific Palisades booster, passed away on March 22. He was 64. Born in Simpson, Illinois on February 15, 1940, Abbott was one of five children. His history in the dry cleaning business dates back to his childhood, as his father was also in the same industry. Abbott worked for the Green family at Carriage Trade, in Brentwood, and Regal Cleaners for 35 years; according to Steve Green, ‘he was a part of our family, not just an employee. He was dearly loved by his employees and by the Palisades community.’ The Palisades was Abbott’s home away from home. He was a true member of the community. Along with Regal Cleaners, he was an avid supporter of the local schools and of local sports teams. He was truly a man dedicated to serving his customers, who were not customers to him but friends. At the annual 4th of July parade you would see Abbott and his wife and daughter out in front of the store, and would be surprised at how many celebrities and notables in the parade would yell out greetings to him, such as ‘Hey, Bill, how are you?’ and ‘Hey, Bill, keep it clean!’ Away from the Palisades, Abbott was a ‘mean barbecue machine.’ At his memorial service last Sunday at Aldersgate Retreat Center in the Palisades, one of his friends told the story of how he even had a way of barbecuing in the rain. You would look out the window and there he would be with an umbrella hooked to his belt loops, grilling away. He was also a true wine connoisseur. Family and friends would call and ask his opinion before making that special wine purchase for special events. Abbott and his wife also loved to go on motorcycle road trips with friends, traveling from Mexico to the Oregon coast. Abbott is survived by his wife Sheri; daughter Lindsey, 8; and two brothers. Sheri and Lindsey left Monday morning to take him home to finally rest in his home town in Illinois.
Noted Documentary Filmmaker And Author Robert Snyder, 88
Academy Award-winning filmmaker Robert Snyder died March 21 at home after a long illness. He was 88. A resident of Pacific Palisades since 1962, he produced and directed numerous films about some of the ‘greats’ of the past century: Pablo Casals, former Palisades residents Henry Miller and Buckminster Fuller, Anais Nin, Claudio Arrau, Will and Ariel Durant, Willem de Kooning and Michelangelo. He also made motion pictures ranging in subject matter from insects (‘The Hidden World,’ narrated by Gregory Peck) to an American ‘Sketchbook’ (on the lives of Igor Stravinsky, Willem de Kooning and Fuller) and ‘Looking at Modern Art’ (a 12-part series). In 1950, he won the Oscar for Best Documentary Feature for his film ‘The Titan: The Story of Michelangelo’ and was again nominated in 1957 for ‘The Hidden World.’ In addition to his many film production credits, Snyder wrote three books: ‘This is Henry, Henry Miller from Brooklyn,’ ‘Anais Nin Observed: Portrait of the Woman as an Artist’ and ‘Buckminster Fuller, An Autobiographical Scenario.’ During World War II he was in charge of propaganda analysis on enemy film for the Office of Strategic Services (OSS). ‘I got to know a little about filming because I was in charge of captured enemy film,’ he recalled in a 2001 Palisadian-Post interview about his start in the medium. ‘I still to this day say I just happened to get into it.’ Then in 1945 he was assigned by the OSS to the U.S. State Department to direct the inaugural UN conference in San Francisco. He went on to produce, in 1947, the first Billie Holiday concert at Town Hall in New York City and, in 1948, the first Louis Armstrong concert at Carnegie Hall. Last year he completed the definitive feature-length documentary ‘Pablo Casals: A Cry for Peace,’ on the great cellist and humanitarian. Born and educated in New York City, Snyder met Allegra Fuller, the daughter of architect Buckminster Fuller, on a blind date there when she was a Bennington College dance student spending a semester studying the filming of dance. They married on her graduation day, June 30, 1951. Allegra Fuller Snyder was professor emeritus and former chair of the Dance Department at UCLA until her retirement in 1991. Snyder was often called upon to lecture about film in general, as well as his own works, at museums, universities, film festivals and other events in this country and abroad. At one such event, a special screening of ‘Michelangelo, Self-Portrait’ at the National Gallery of Art in Washington, D.C., he said: ‘When this museum opened a one-month-only exhibit of Michelangelo’s drawings, director J. Carter Brown was quoted as saying he had a sense of awe in being involved with the show. We, too, share that sense of awe, for here we are doing the impossible by bringing the only kind of traveling exhibit of Michelangelo’s works that could be’on film. And with the master himself personally guiding us through it. All of the words you hear are carefully researched from his letter, diaries, and other writings.’ In 2001, Snyder told the Palisadian-Post, ‘The nonverbal are vital forms of our being. You can’t have words about important things, they come from the inside. In the case of Michelangelo, the images are so fantastic, you don’t have to think about them. You just feel them.’ In addition to his wife of 52 years, Allegra, he is survived by his daughter, Alexandra May; his son, Jaime; grandchildren Olivia and Rowan May; step-grandchildren Mira Speare and Elizabeth Demaray; and two sisters, Judah Shapiro of New York City and Roslyn Katz of Sebastopol, California.
‘EarthTalk’ TV Program Celebrates 150 Episodes
‘Bringing good science down to the human level, empowering and encouraging people to get involved in the environment one person at a time,’ is what Palisadian Peter Kreitler describes as the goal of his TV show ‘EarthTalk Today,’ which airs on channel 35. He and co-host Alexandra Paul, who also lives in the Palisades, taped the 150th episode of the weekly environmental talk show in February. Their 150th guest was former state Sen. Tom Hayden, who was also the first guest when the show began in 1997. Hayden talked about the hope he saw in places like Santa Monica, where a city bureaucracy is doing much for the environment. Hayden, who taught at Harvard last fall, talked about the consciousness on environmental issues among young people today, who are frustrated that the environment’s situation has grown worse during their lifetime. Back in 1997, Hayden talked about environmental justice, a subject that the co-hosts of the show feel strongly about. ‘Chemical spills, pollution and degraded land affect people in many parts of the globe,’ Kreitler told the Palisadian-Post. ‘The poor suffer the most. The wealthy can afford to go where there’s clean air.’ Kreitler, an Episcopal priest who was assistant pastor at St. Matthew’s Episcopal Church from 1974 to 1991, was named Minister of the Environment by Bishop Fred Borsch in 1991. ‘I believe the most important theological issue of our time is the environment, because creation is collapsing. Everyone should be deeply concerned about it. This is the most important issue of the millennium,’ said Kreitler, who also runs Optimum Yield, a company that sells organic fertilizer. In 1990, Kreitler started Earth Service Inc., a non-profit environmental educational organization, and started holding environmental roundtables. Over seven years, he hosted 85 roundtables which featured local environmental leaders, and in 1997 partnered with the City of Santa Monica to develop an environmental talk show, originally called ‘Kaleidoscope.’ Kreitler had TV experience with a roundtable he hosted for PBS as a youth minister in Kansas City and as an author who promoted his books on TV. Actress and environmental activist Alexandra Paul, star of ‘Baywatch’ and over 50 films and TV shows, had been the guest on the third episode and spoke about ‘JamPacked,’ a documentary she made on overpopulation, and on the 75th episode, when she spoke about ‘The Cost of Cool’ her documentary on overconsumption. Kreitler asked her to join the show as co-host three years ago. Paul has been a life-long activist. She recalls writing to President Nixon about the environment at age 7, becaming a vegetarian at 14, and serving as president of the energy committee at her high school. She walked to Las Vegas on the Great Peace March for Nuclear Disarmament in 1986 and in 1994, spoke to students in L.A. schools on the overpopulation issue. The show, currently the only environmental talk show in America, features a wide range of topics and guests and is aired to 5 million homes in Southern California. Recent shows have featured guests, such as Texan Diane Wilson, who worked to right the tremendous damage coming caused by the Union Carbide spill in Bhopal, India in 1984. ‘I can ask my heroes, such as Ed Begley, Jr., to be on the show,’ said Paul, who finds that the activists they interview, such as tree-sitter Julia ‘Butterfly’ Hill, are the most exciting. ‘Not only do we interview scientists from Worldwatch, but we interview activists. They come from all walks of life, and it’s such an inspiration.’ Kreitler feels the same way. ‘The activists believe in their cause so strongly, they are willing to sacrifice, to be ridiculed. I like the activists who are doing something on behalf of all of us.’ Kreitler and Paul have now filmed 152 episodes, and their goal is to take the show national. ‘We’re trying to empower everybody to take care of your surroundings. That’s our definition of an environmentalist,’ Kreitler said. EarthTalk Today is aired every Saturday on L.A. CityView (Channel 35) from 10 to 10:30 a.m. For more information and to read Kreitler’s daily Web Blog, go to www.earthtalktoday.tv.
Photography Luminaries Shine at Getty
In 1984, Weston Naef boarded a 747 in New York accompanied by his dog and 50 crates filled with the most outstanding photographs ever assembled. As the Getty Museum’s newly appointed curator of photographs, Naef was shepherding to Los Angeles the museum’s recently purchased bounty, photographs obtained through the simultaneous acquisition of several major American and European collections. Thus began the legacy of the Getty’s foray into photography, a bold stroke that instantly transformed Los Angeles into one of the leading centers of the art form. Prior to this visionary move, the Getty was known mostly for its collections of Greek and Roman antiquities,18th-century French decorative arts and European paintings. Naef, today still at the helm as curator, organized the current ‘Photographers of Genius,’ exhibition, a major show marking the 20th anniversary of the Getty’s formidable photography collection. The exhibition spotlights the genius of 38 photographers, with three images chosen to represent each, all selected from among 600 photographers of which the museum has significant holdings. (Twenty-five or more prints by an individual artist is considered a strong holding.) Of no surprise is the inclusion of such groundbreaking artists as Julia Margaret Cameron, Alfred Stieglitz, Henri Cartier-Bresson, Dorothea Lange and Diane Arbus. Eye-opening, even to aficionados, are such ‘new’ names as Anna Atkins, Joseph-Philibert Girault de Prangey and Camille Silvy. Naef’s vision and curatorship was put to the test to winnow his list from such vast holdings, but with ironclad criteria, the task became less difficult. First, every photographer had to be held in-depth at the Getty, with an equal balance between quality and quantity. ‘For instance, Ansel Adams is not among the 38, since we only have one print that is definitive,’ explains Naef, a longtime Palisadian. The photographers all had to be ahead of their time risk-takers, too, and each needed to exercise influence beyond his or her own time. The influence factor, something impossible to measure among contemporary photographers, explains why the exhibition stops in the 1960s with Diane Arbus. The only living photographer represented in the show is Cartier-Bresson (born in 1908), and the oldest photographs go back to the medium’s infancy in the 1840s. Among them is Hippolyte Bayard’s ‘Arrangement of Specimens,’ an 1842 cameraless photogram using the technique known as cyanotype to record flowers, plants, textiles and feathers. The process, based on the light-sensitivity of certain iron salts, displays an arresting and characteristic bright blue color. Other explorations of Bayard’s, including many portraits and self-portraits, are described by Naef as among the ‘first to introduce a first-person voice. Bayard used photography to explain himself rather than the outside world.’ In Naef’s view, another overlooked pioneer is Joseph-Philibert Girault de Prangey, whom he credits as the first to ‘apply the most essential options that are available in photography: point of view, light and choice of subject.’ Naef feels certain Girault de Prangey will equal Daguerre in the realm of photo history. ‘He did something earthshaking and important by photographing the Parthenon,’ Naef says. Not just simple recordings, his pictures of ancient monuments employ photography as a creative tool. His 1842 ‘Rome, So-Called Temple of Vesta’ image takes the radical perspective of exposing just the top half of the columned temple. Gustave Le Gray’s ‘Seascape with a Ship Leaving Port’ of 1857 foreshadows the Impressionists, who undoubtedly saw in his work the dramatic play of light and atmosphere they later sought to capture in their paintings. Another compelling image in the show is Camille Silvy’s ‘Twilight’ (1859-60), a photograph filled with interesting deception. ‘He’s the first person to believe that photographs should be works of fiction,’ Naef says. ‘It’s a work that appears to use a pure means of photography, but instead is an elaborate fiction.’ The photograph, artfully showing a figure disappearing in the background fog and a boy leaning on a lamppost, is actually a skillful manipulation spliced together using four different negatives. Roger Fenton’s ‘The Billiard Room, Mentmore House’ (1858) offers a glimpse into a less formal, unstaged world rarely captured in early photography. ‘It powerfully conveys the universal need to have relaxed and carefree moments,’ Naef says. Naef points to two strong threads carried throughout the collection. One is social documentation, vividly displayed in images such as Lewis Hind’s 1910 ‘Sadie Pfeiffer, Spinner in Cotton Mill, North Carolina’ and the iconic work of Dorothea Lange in the 1930s. The other strain is showcased by visionaries such as Moholy-Nagy, whose avant-garde, abstract work convincingly put photography on the same plane as painting in terms of importance. Ultimately, the show’s theme’aside from showcasing genius’highlights how photographs have the power to change us by causing us to look at the world in a new way. ‘Photographs are another way of doing what began with Gutenberg and D’rer as a magical way to communicate ideas visually,’ Naef says. ‘They are the most effective vehicle of communication besides the human voice.’ Through the Getty’s aggressive efforts to collect and show photography, Naef believes a ‘huge number of people have become literate in photography. It has the potential to reach out to audiences of every kind.’ ‘Photographs of Genius At the Getty’ continues through July 25. Contact: 440-7300. On Thursday, April 22, at 7 p.m., Mark Haworth-Booth, curator of photographs, Victoria and Albert Museum, London, will discuss the first ‘Golden Age’ of photography, including works in the exhibition by Gustave Le Gray and Camille Silvy.
AARP Travels to Madame Walska’s Santa Barbara Garden, Lotusland
Palisades AARP members and friends will take a bus trip on Wednesday, April 21 to Lotusland, the 37-acre Montecito estate considered by many the most singular and beautiful garden in Southern California. Lotusland was designed by Ganna Walska, a woman who was passionate: for fashion’her gorgeous opera gowns are on display through April 4 in the Ert’ exhibition at LACMA; for plants’ she spent 40 years developing her garden in between singing in operas here and abroad; and for men’she married and divorced six husbands. Walska owned the property, which she originally named Tibetland, from 1941 until her death in 1984. Married at the time to her sixth and last husband, Theos Bernard, she purchased the estate intending first to use it as a retreat for Tibetan monks. The Tibetan monks never appeared and sometime later, after divorcing Bernard, she changed the name of her estate to ‘Lotusland’ in honor of the sacred Indian lotus growing in one of the ponds on the property. She thus began what would be a gradual transformation from well-known socialite to garden designer. Most of her energy and resources were poured into creating a botanical garden of rare plants using her natural artistic talents to create a fantasy world of exquisite beauty. To accomplish this, she worked with a number of landscape architects and designers, including Lockwood de Forest, Jr., Ralph T. Stevens, William Paylen, Oswald da Ros and Charles Glass. Walska herself was a designer and loved to mass single species of plants together. She wanted the best, the biggest and the most unusual plants available and was often willing to pay any price to get them. So determined was she to finish the work she had begun that in the 1970s, she auctioned off some of her jewelry in order to finance her final creation’the cycad garden. Hear more about this extraordinary woman during a 90-minute docent-led tour of her garden, a featured component of the tour. To register for the trip, mail a check for $40, made payable to Pacific Palisades AARP, and send to Mary Cole, 639 Radcliffe, Pacific Palisades 90272. Lunch at the Big Yellow House is included.
At the Movies
By Arnie Wishnick
DOGVILLE He directed your favorite movie of all time, ‘Breaking the Waves.’ (I’m only kidding. Is there anyone out there who liked ‘Breaking the Waves’?) Now Denmark’s Lars von Trier is back with the very controversial ‘Dogville.’ For those looking for something different, Mr. Von Trier has made a movie especially for you. Set on a bare sound stage that looks like a Monopoly board with a minimum of everything, the movie takes place in the early 1930s in a small town in the Rocky Mountains. We meet the townsfolk described in book form containing nine chapters and narrated by John Hurt. Into their drab lives comes the beautiful and mysterious Grace (Nicole Kidman) on the lam from someone called The Big Man (James Caan). Who is she? Is she a runaway from home? Is she a fugitive from justice? And what about the film’s very significant religious overtones? Tom (Paul Bettany) persuades the others to hide Grace. They agree but only in exchange for her labor. All goes well until a reward is posted for her capture. The townsfolk (among them Lauren Bacall, Ben Gazzara, Chloe Segivny and Patricia Clarkson) turn on Grace by beating and raping her. The length of the film, three hours, will try your patience. When Chapter Nine was flashed on the screen with the notation that the film will soon end, the audience exploded in applause. Critics have called the film anti-American. I never saw that. I only saw anti-humanism. Out of 5 Palm Trees, ‘Dogville’ gets 4 Palm Trees. THE PRINCE AND ME Paige (the always solid Julia Stiles) is a serious pre-med student at the University of Wisconsin. Coming to America with his valet is Edward, the Prince of Denmark (Luke Mably). The playboy/prince knows exactly where he wants to study after seeing a video called ‘Girls Gone Wild in Wisconsin.’ The king and queen (James Fox and Miranda Richardson) seem happy to get rid of him. You can probably tell me the rest of the plot. Yes, they meet. Yes, there’s no attraction at first; then they fall in love. Then, Edward asks her to return with him to Denmark to be his princess. Aha! This is where it gets serious. Does she stay or does she return to America? For the answer you’ll have to pay to see it. This nice movie, which all but falls apart in the end, does have a first-ever: a genuine Wisconsin lawnmower race. While Dad is seeing ‘Walking Tall’ starring The Rock in another theater at the cineplex, pre-teen girls, teenage girls and their mothers will see ‘The Prince and Me’ and love it. Out of 5 Palm Trees, ‘The Prince and Me’ gets 3-1/2 Palm Trees.
Concert to Benefit Research Into a Rare Genetic Disease
‘On the Wings of Song,’ a concert to benefit the Cure FD Foundation, which is helping hundreds of children who are suffering from FD (Familial Dysautonomia), will be held on Sunday, April 25 from 3 to 6 p.m. at Leo Baeck Temple, 1300 Sepulveda, directly across from the entrance to the Getty Center. A silent auction will precede the family concert showcasing the musical talents of Los Angeles rabbis and cantors from five different congregations, emceed by television host Mark Wahlberg, in a program of jazz, Broadway, Israeli and folk songs. The stars of the show will include Rabbi Steven Carr Reuben of Kehillat Israel; Rabbis Morley T. Feinstein and Zach Shapiro and Cantor Jay Frailich of University Synagogue; Rabbi Ken Chasen and Cantor Wally Schachet-Briskin of Leo Baeck Temple. Last spring, 38-year Palisades residents Mavis and Al Feinberg, whose 6-year-old grandson has FD, started the Cure FD Foundation, to help children suffering from this neurological, degenerative genetic disease which affect Ashkenazic Jews. The organization has several Palisadian board members, including Irwin Feinberg (one of the Feinbergs’ four children, all of whom are PaliHi graduates), Judy Silk, Stephanie Blackman and Amy Madnick. The disease is currently fatal, and is as common as Tay Sachs disease once was. It can appear from out of nowhere after generations that were untouched by FD. One in 27 people of Eastern or Central European Jewish descent carries the recessive gene that causes the disorder. A newborn baby with FD must live daily with life-threatening conditions affecting the heart, lungs, autonomic and sensory nervous systems, ability to swallow, suck, eat and speak, but not intelligence. However, research now being pursued at the Lab for Familial Dysautonomia Research at Fordham University, under the direction of Dr. Berish Rubin, has already achieved two breakthroughs, so that the children with FD are now improved in their stamina and heart function, and have fewer crises. Rubin believes that, with adequate funding, in five years these children will no longer die of FD and will lead nearly normal lives. Last summer, Rubin discovered two natural compounds, tocotrienols and green tea, which, when ingested together by the children with FD, cause an increase in the amount of the IKAP protein that is lacking in these children and is critical for normal functioning of the neurological system. Rubin noted in a recent interview, ‘The positive effect that the tocotrienols and the green tea are having on children with FD has been incredible. Children who were confined to wheelchairs are now walking. Children who never had tears are now capable of crying. Children who were in crisis for week-long periods are now crisis-free. ‘We are expecting that the taking of these supplements will result in an increased life-span for the children,’ Rubin continued. ‘Our hope is that as we continue to gain new information about how to control IKAP levels we will be able to continue to positively impact the lives of those with FD.’ Blood tests are now available for parents to see if they are carriers. Both parents must be carriers for a child to get the illness. This is the founation’s third fundraiser on behalf of Dr. Rubin’s research. The silent auction preceding the concert will features items such as Correia art glass and studio tour, hotel and cruise vacations, a cooking class with a professional chef, and special sports memorabilia. Tickets are $54 per adult and $18 per child or full-time student (under 3 years, free). Contact: Cure FD Foundation office at 459-1056 or info@curefd.org